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Kelley Epps-Woods / February 23, 2011 4:00 pm
We made it through another New York Fashion Week! While it may be too early to proclaim what makeup looks we will be wearing for the fall, the shows did have a few common beauty looks on the runway. Here are some of the trends we saw at many the shows at New York Fashion Week Fall/Winter 2011:
Trend: Clean, flawless, glowy skin; with golds, creams, and taupes/camels
Most of wish we could wake up looking as ethereal and flawless as some of the models seen on this season's catwalk, and for most will take effort. At Erin Fetherston, Proenza Schouler, Marc Jacobs, and Carmen Marc Valvo, the looks were very fresh, soft and subtle. We could hear "dessert goddess" thrown around at shows like Zero + Maria Cornejo and and "ethereal goddess" at Erin Fetherston, where models were layered, in glowy creams, golds, taupe and camel palettes, which made for a beautiful angelic look. One of my favorite looks could be seen backstage at Erin Fetherston, where M•A•C's Lucia Pica wanted to create skin that was very glowy, shimmery and soft. For the skin, she used Face and Body Foundation; Luminous Highlights; Shell Cream on cheeks; with Pink Opal Pigment powdered lightly with prep and prime powder, with Pro Mixing Medium "Shine" to add glossy texture to the face.
Trend: Tribal Colors; reds and oranges, cream colors
At shows like Thakoon, Donna Karen and Yoana Baraschi, color was back, but more of jewel-toned colors. At Thakoon, Dian Kendal drew inspiration from the "Rococo period and the style of the Masai tribe in Africa." To keep the tribal opulence, models eyes were rimmed in red shadow, and lips were kept bare and muted. At Donna Karen, Charlotte Tilbury took inspiration from "Tippi Hedren with a modern twist," where eyes were layered with orange/caramel colors, with M•A•C Pro Mid-Toned Sepia Cream Colour Base and blended to a halo effect. At Yoana Baraschi, Make Up For Ever, Key Artist Lottie, wanted to compliment the designers' bold, glossy, jewel toned collection, and gave the models red, glossy, two-toned eyes. We may not all be going out with cream colored eyes, however the look is refreshing for a fall/winter palette.
Trend: Smokey Eye; greys, browns, plums/purples
If there is one trend we can predict for the fall/winter season, that would be a smokey eye. However, there is never the same take on the smokey eye at any one show. At Rag & Bone Revlon's Artist Director Gucci Westman created and effortless urban look, where it was her version of an "urban Eskimo", using lots of creams, liners and smokey liners in blackest black. At Monique Lhuiller and Vera Wang the smokey eye were not done in the traditional black but in beautiful deep greys, purples and plums. At Monique Lhuiller, M•A•C's Val Garlen took inspiration from photgrapher Irvin Penn's work, and wanted to create a "fierce take" on the photographer's portraits. She used M•A•C's latest palette for a "lunge of plum on the lid, with black on the outside" and then made the eyes pop with white pencil. At Jason Wu, Diane Kendal for M•A•C Cosmetics was inspired by Robert Polidori's book "Parcours Museologique Revister," which details the soaring architecture and style of Versailles. The look was a dramatic smoky blue eye, where eyeliner was used as a base on the top and bottom lids, with darker powder shadow later brushed over as a topcoat to intensify the shade.
Trend: Bold Lip; Reds and Burgundy (Lipsticks and Stains)
Another trend that never goes out of style, and we could almost predict so see at a few shows, is the classic red/burgundy lip. This is an intense red or burgundy or just a muted stained burgundy or a touch of red. We could see this look at shows such as Diane Von Furstenburg, where James Kaliardos inspiration was the "Independent American Woman", channeling Gloria Vanderbilt and Diana Vreeland. His key product was M•A•C's Runaway Red Lipstick and Cherry Lip Pencil. At Carolina Herrera, it was about a gorgeous flawless face and perfectly stained lips. M•A•C's Diane Kenal added to the the models lips, Prince Noir Lipstick, patted lightly on top lips for a sheer stain. At Luca Luca Revlon's Gucci Westman, created a fresh modern look, that paired a contoured eye with a strong red lip. It was her vision of a "forest fairytale, with a fresh modern girl on an adventure." To achieve the look she used. Revlon Color Stay Lipliner in Red, and Matte Lipstick in Really Red. At Lela Rose, Stila Artist Sarah Lurcero wanted "Old Hollywood with a sexy, vampy edge." "The lips are kind of a maroon-merlot-blackberry mix," and to create the look she used Stila's Long Wear Lip Color in Daring.
—Kelley Woods for Second City Style
Image Sources: stylist.com, stylecaster.com, elle.com, beautynewnyc.com, zambio.com, thefashionspot.com, harpersbazzar.com
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Taneisha Jordan / February 16, 2011 3:00 pm
Summary: Dancing between glamour and camp, Jeremy Scott brings all of the drama. Starting off the show with a sequined cherry red tank top in the Coca-Cola logo that says "Enjoy God", a yellow leather skirt with an exposed side zipper and a bright red fur jacket, you know you can expect the unexpected.
Raver girls showed off long platinum blond ponytails with stripes of neon colors of pink, blue and yellow throughout. Candy prints and faux toy furs trotted in front of the crowd and celebrities including Kayne West and Keri Hilson. There were some basic knit sweater tunics that could be seen for everyday wear but where Scott really shines is the extravagant pieces like the maxi long sleeve yellow dress with a lightening bolt sheer panel.
Color Palette: neon orange, sky blue, navy, hot pink, cherry red, school bus yellow, rose, chocolate brown, tan, pea green, silver, black, white, pumpkin orange, violet, seafoam
Fabrics & Textures: leather, patent leather, fur, sequined, shearling, cotton, chiffon, modal, spandex, knit, metallic, plastic, mesh
Key Looks: Clear sequin trimmed plastic coat with hot pink fur bikini; Black sheer ruffled polka dot jumpsuit with patent leather belt; Maxi blue sequined superman logo dress with sheer red cape
-Taneisha Jordan
Photos: NY Mag
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Lauren Dimet Waters / November 9, 2010 12:00 pm
Forty years later, Pierre Cardin continues to amaze audiences with his futuristic vision of fashion. The New York showing of his Spring 2011 men’s and women’s collections continued that tradition. Seeing all the usual fashion folk gathered off-season at Milk studios was delightful. Unharried by the madness of Fashion Week, we were able to concentrate on the spectacle Monsieur Cardin flew across the pond to present. What we saw was utterly directional. While the clothes might at first glance seem like archival pieces from one of his 1960’s mod collections, a closer look revealed today’s tech fabrics and very updated silhouettes. Even the little shift dresses with keyholes that might have read “vintage” are so very “today.”
Kimono tops may be generally enjoying the same 70s revival that jumpsuits are, but Cardin’s ombre-dyed open gauge knit versions are fresh and utterly modern. Even the classic skirt suit that so many of us associate with the chicest of Parisian women was given the Cardin treatment and rendered in techno fabrics with just a hint of military.
While the editorial pieces might seem more Surface Magazine than Harper’s Bazaar, the more wearable looks in the collection will be sure to bring a little April in Paris to you wherever you live.
—Joseph Ungoco
Photography: Randy Brook
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Taneisha Jordan / September 21, 2010 11:00 am
Nothing says you're finally finished with Mercedes-Benz New York Fashion Week like a trend wrap-up! From running all around New York City catching shows, pushing through crowds and living though the fabulous after-parties, we can say that every single trend we're bringing to you was seen first-hand. The first year at Lincoln Center proved to be just as thrilling and celebrity-filled as those years past at its old fashion week location of Bryant Park. Get ready to start reading because Second City Style is bringing you all the upcoming trends you'll need to know for Spring/Summer 2011!:
Full Shorts: Rebecca Minkoff; Mid-Calf Hemlines: Narciso Rodriguez; 1970's Fitted and Flared Glamour: Marc Jacobs
Trends in Clothing and Fabric:
Military
Leather
Asymmetrical Hemlines
Cropped Blazers
Mid-Calf Hemlines
Jumpsuits
Flowing Chiffon Dresses
Lightweight Knits
Retro-Inspired Swimwear
High-Waisted Pants
Cap-Sleeve Tops
Fitted Pantsuits
Origami Folds
Full Shorts
Slinky Cowl Necks
Maxi Dresses
Cut-Outs
1940's Basic
1950's
1960's Classic Silhouette
1970's Fitted and Flared Glamour
Tangerine Orange: Joanna Mastroianni; Slick Metallics: Temperley London; Cobalt Blue: Davidelfin
Trends in Color:
Bright Reds (Poppy, Fire Engine and Tomato)
Tangerine Orange
Cobalt Blue
All shades of white (Ivory, Bone, etc.)
Metallics (Gold and Silver)
Navy
Forest Green
Kelly Green
Neon
Violet
Turquoise
Neutrals
(Lots and lots of) Beige
Aztec: Vivienne Tam; Delicate Florals: Donna Karan; Stripes: Nanette Lepore
Trends in Print:
Tribal
Aztec
Animal (Zebra, Leopard and Giraffe)
Stripes
Floral
Geometric
Perforated Patterns
Ombre
Metal Chains: Jenny Packham; Draping: Malandrino; One-Shoulder: Tadashi Shoji
Trends in Details:
One-Shoulder
Metal Chains
Ruffles
Draping
Crystal Embellishments
Sheer Panels
Sequins
Crochet and Eyelet
Pleats
Asian-Inspired: Philosophy di Alberta Feretti; Old Hollywood Glamour: Carmen Marc Valvo; Menswear as Womenswear: Ralph Lauren
Trends in Moods/Themes:
Asian-Inspired
Nautical
Menswear as Womenswear
Safari
Old Hollywood Glamour
Desert
Nude shoes: Tibi; Fringed Purses: Custo Barcelona; Floppy Hats: Tracy Reese
Trends in Accessories:
Skinny Belts
Fringe Purses
Platform heels
Nude shoes
Floppy Hats
Ivory Pearls
Round Sunglasses
Clay in Hair: Alexander Wang; Bright-colored Lips: Diane von Furstenberg; Blunt, Heavy Bangs: Ivana Helsinki
Trends in Beauty:
Bright-colored Lips
Clay in Hair
Slicked back hair
Big Plastic Hairclips
Nude Lips
White on and around Eyes
Neon-colored eyes
Dewy Face
80's gloss
Blunt, Heavy Bangs
Chignons
-Taneisha Jordan, Alia Rajput
Photo Source: WWD
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Kelley Epps-Woods / September 20, 2010 3:00 pm
It's the end of another fabulous Fashion Week, and everyone is in recovery. Spring 2011 Mercedes Benz Fashion Week at it's new venue, Lincoln Center, brought excitement, anticipation, and of course the glitz and glam. Like every season you can expect the chaos to start backstage with hair and makeup, with key artists giving models the looks for the season. From this season's statement lips, bronzed goddesses, washed out faces, to pops of color, there were trends that were seen throughout the Spring 2011 shows.
(Dian Furstenberg, Nathan Jenden, Jeremy Scott, Sophie Theallet, Ohnie Titel, Lela Rose)
One of the biggest trends this season was a bold lip, from red to coral, lips were in. At Diane von Furstenberg, the look was inspired by von Furstenberg's own Warhol portrait. MAC Key Artist James Kaliardos said, 'The look can be described as "popping pink-orchid-fusia pigment meant to look like Warhol silk-screened lip'. It's a symbol of femininity", he said. To achieve this look, Chromagraphic Pencil in Process Magenta was used followed by Neon Pigment in Magenta Madness for a major day glo lip. At Nathan Jenden and Jeremy Scott, their looks were similar. Cherry red lips were the statement, from inspiration from 'Judy Garland' at Nathan Jenden to ' Marilyn Monroe meets Debbie Harry' at Jeremy Scott .Cherry Lip Pencil was a key element at both shows.
At Sophie Theallet with Lead Artist Lena Koro for Nars, smokey eyes, and glossy red lips was the look, and the inspiration was 'Mexican singer Chavela Vargas', where color and light was key. Nars Vesuvio Pure Matte Lipstick was used to achieved the bold lip, layered with Nars Triple X Lip Gloss on top. Coral was also used for statement lips, as seen at Ohne Titel, where the look was about an effortless chic but very sporty girl. Key Artist Gucci Westman's focus was a strong brow, as seen at many shows, as well as the just bitten lip on some of the girls. Super Lustrous Lipstick in Siren, and Just Bitten Lip stain in Passion was used to give the bold coral lip. At Lela Rose, there was a Brazilian fashion influence, where hot coral lips, amidst flawless skin and subtle eyes.
(Proenza Schouler, Thakoon, Doo.Ri, Philip Lim)
Another look seen this season was a more muted look. Lot's of nudes, contouring, and pristine looks. At Proenza Schouler, Key Artist Diane Kendel explained the look as 'muted, with full tomboyish square brows, and a bit of contouring , with a little bit of discolouration under the eyes to give a grungy feel'. Were at Thakoon, she went for 'Golden Luminosity', explained as 'Golden, but not tanned, as if the girls were glowing from within.". At Doo. Ri, there was a similar look that was washed out, and minimal colour, Key Artist Tom Pecheux used Washed Out Cream Shadow(available in 2011), and Blonde Studio Finish Skin Corrector was used over they eyes and lips for a pale effect. At Phillip Lim there was lots of nude lips and sculpted cheeks, led by Lisa Butler for Nars, inspired by youthful elegance. Nars Sheer Glow Foundation and Barbarella Lipstick were key items for this show to create the look.
(Carlos Miele, Donna Karen, Michael Angel, Rodarte)
One of the hottest trends we would expect to see for spring is bronze and metallics. At Carlos Miele, the look was "Brazilian Beach Beauties", where the look was fresh and sunkissed. To achieve this look Maybelline's Mineral Power Bronzer and Cream Eyeshadow and Studio Color Gleam Cream Eyeshadow in Rose Revolution helped achieve this look. At Donna Karen, Key Artist Charlotte Tilbury, inspiration was '1930's Photographs', with a combination of bronze and gold on the eyes, and very matte skin'. One of my favorite paint pots, IndianWoodswas buffed over the eye lids, through the crease, and lower lash line. At Michael Angel the look was pale, pristine, with muted metallics and lots of shimmer. Eye Studio Color Plush Silk Eyeshadow in Copper Chic, and Color Sensational Cream Gloss in Sandstone, were key products used to achieve the look. At Rodarte, the look was the most extreme of metallic looks. Key Artist James Kaliardos inspiration was 'Northern, Cali, Redwoods, and the Gold Rush of 1849'. Models lips were painted in gold with MAC Pro Rose Gold Metal Pigment and Golden Lemon Pigment. Eyes were also painted with Golden Lemon Pigment and blended into the inner and outer corners.
(Costelo Tagliapietra, Zac Posen, Peter Som, Monique Lhuillier, Carolina Herrera)
It wouldn't be spring without some color! We could see color at Costello Tagliapietra where Key Artist Lisa Butler for MAC channeled a modern 'Mia Farrow from The Great Gatsby'. Root Cream Colour Basewas diffused over the eyelids from lash to the brows. Rosey colors, likeWit Blush Creme and Vintage Rose Cream Colour Base were applied to the cheeks and lips. At Zac Posen and Peter Som yellow was a key color. Peter Som's Key Artist Tom Pecheux took the '60's Iconic Eyeliner but made it fresh by doing yellow instead of black.'MAC Pro Primary Yellow Chromaline was used for this look. At Zac Posen, vivid and dramatic color was key with a bold yellow on eyes and bold color on cheeks, with lots of flirty lashes. Monique Lhuillier, did a '1950's Audrey Hepburn Look'.with an Aeirodynamic eyeliner, that was haute couture, using gilded lilac on the lid, and liner was delicate and soft. At Carolina Herrera, MAC's Key Artist Diane Kendal inspiration was traditional korean costume with floral prints, or photographs of flowers which inspired the brick colored eye. Brick Pencil was used and blended from the lash line to the crease to help achieve this look. Antique Eyeshadow was tapped on top and diffused.
Last but not least was our bold black eye, that was seen at Marc Jacobs and Richard Chai. At Marc Jacobs, the one and only Francois Nars himself keyed the look and was inspired by ' Angelica Houston in the 70's the bleached brows and the deep eyes'. At Richard Chai, the focus was a strong eye, and nude lip, where Revlon Grow Luscious Mascara in Blackest Black, and Luxurious Color Matte Kohl Eyeliner in Black Truffle were the key products used to achieve the bold eye.
- Kelley Epps Woods
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Alia Rajput / September 20, 2010 2:00 pm
Mercedes-Benz Fashion Week at Lincoln Center!
Well, its officially over. After a week-long whirlwind of runway shows, presentations and cocktail parties, the Second City Style team can place another successful Mercedes-Benz Fashion Week under our perfectly styled belts. And despite the rampant running from place to place and long days lugging a laptop around, it seems like this season's Fashion Week was overall a lot less stressful than ones in the past. Though there was some debate heard from various people throughout the week, we think much of this season's more mellow vibe came from the new venue—Lincoln Center.
Likened to a sleek European airport terminal, the main Mercedes-Benz venue may have been the catalyst of change that many were hesitant to accept; but at the end of a very long day when you were wondering why you weren't so ravenous and your feet weren't throbbing as much, it could only be accredited to the carpet that covered the Lincoln Center floorboards (take that, Bryant Park stones) and the seemingly endless supply of 100 calorie Pop Chips that were supplied by the sponsor on site (beats those tiny chocolate things they used to give out at Bryant Park). Other amenities included complimentary hand massages, Tres Semme hair styling, an endless supply of Fuji water and REAL bathrooms instead of indoor porto-potties you had to climb in and out of. Outside of the comfort perks, the new digital scanning system allowed you to print out your own invites, saving us all tons of time that had otherwise been spent standing in endless lines.
But don't just listen to us. Apparently, fashion reporters weren't the only ones that enjoyed the new venue. “Lincoln Center was a triumph,” said Carolina Herrera. “The way it was constructed, the entrance, and the outside gardens, it was all fantastic.” Mark Badgley of Badgley and Mischka expounded, “It just felt like New York. It was good for fashion, good for designers and good for the city. I know the first time is always a novelty but all the people we invited — socialites, celebrities and industry — they were really into it.” Isaac Mizrahi added his two cents too, stating, “There was something elegant about it and I think it was a little more organized than Bryant Park. Also, somehow it felt less anxiety-provoking by not being in the center of town.”
Prabal Gurung appreciated the significance of the Lincoln Center plaza, which also houses the Metropolitan Opera and the David Koch theater. “The magnitude of the place itself, the buildings, what it represents historically…you don’t feel it until you go there,” Gurung said. “It’s a perfect home for fashion. There was this incredible energy. It was easy to navigate and to find, traveling back and forth was easier also. There weren’t any crazy traffic jams. I think it worked out perfectly.” And finally, Ken Downing, senior vice president and fashion director of Neiman Marcus, pointed to the mall’s outdoor plaza as a welcome extra. “There is some room to maneuver and breathe, and gather yourself and your team,” he said. “Now, if we could only get the schedule to be less uptown, downtown…it would be very helpful if there is an attempt to schedule blocks of shows in one part of the town. Think of how much more ecologically correct we would be.”
Indeed, the biggest complaint throughout the week was not surrounding the main venue but the fact that so many designers this season chose to show off site, resulting in a constant ferrrying of editors and buyers from one end of the city to another. But we're hoping with all these seals of approval by some of the biggest players in the game, many headlining houses (who chose to show in their own studios or other venues this season), will come over to the main site by next season. Until next time, Lincoln Center!
Article Source: WWD
Photo Source: freshnessmag.com
-Alia Rajput
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Alia Rajput / September 20, 2010 1:00 pm
The Q Store in Rockefeller Center
Sometimes, amid the craziness of a Fashion Week schedule, you stumble upon an event that's nothing but relaxed and laid-back fun. This was exactly the case for the 'Ready_Set_Style' event hosted by QVC in honor of stylist, Lori Goldstein. Held in the Q shop, QVC's glowing boutique in the bustle of Rockefeller Center, the event was basically an opportunity for busy writers to cool their heels, have a bit of bubbly and check out the fabulous Goldstein's new apparel and accessories line for QVC, called Logo Instant Chic.
Guests at the QVC party with Lori Goldstein
The jewelry and handbag station for Logo Instant Chic by Lori Goldstein
After checking in and greeting Karen Robinovitz—one of the evening's hosts and founder of cosmetics line Purple Lab NYC—I immediately felt a bit shabby among the other guests, each of whom looked effortlessly pulled together and chic. After a long day of covering shows, I had changed into flats, pulled back my hair and felt altogether drab. But that soon changed as soon as Laurie Goldstein herself caught sight of me and asked me if I was ready to be styled. How could I refuse?!!
She greeted me with an enthusiastic smile and quickly ushered me over to a clothes rack and station of accessories. She inquired about the look I wanted to create, as her fingers moved deftly along the pieces on the rack. I told her since I was covering Fashion Week, I often felt that my wardrobe needed to be simple, versatile and easily changeable—three things that could result in a look as boring and blah as I felt. I said it would be nice to have something pretty and luxe that I could wear all day and maybe all night too. Like a true expert of her trade, Goldstein immediately plucked a velvet blazer in a lush shade of plum and a glittering statement necklace from her wares and affixed them to me. Instantly I felt more polished, though wasn't sure the pieces would be able to completely transform my look. But after being led to a full-length mirror by Goldstein and hearing the exclamations of the other styled guests around me (which was why they all looked so great when I walked in), I was completely convinced it doesn't take much to turn an ensemble around.
Me and my new purple blazer and sparking necklace with styling pro, Lori Goldstein
Its funny how you can get such a second wind after giving yourself a little tweak. Goldstein knew exactly how to completely refresh my look with nothing more than a couple strategically placed pieces. Needless to say, it was clear to see why she's such a coveted stylist to the stars. I enjoyed perusing the rest of her Logo Instant Chic collection, both on the shelves and through the stylings of the other guests, and found it included perfect staples for fall like easy separates, ruffled handbags and sleek booties.
Me and Karen Robinovitz (in a Logo Instant Chic vest!) of Purple Lab NYC
Having debuted on QVC last week, the Logo Instant Chic collection will not be around for long with the following that it's already built up, me included! After one successful run on QVC last week, Goldstein's Logo Instant Chic line will be featured again on the network soon. But you can check out Logo Instant Chic styles now at QVC.com! And while you're at it, snag some beauty booty to complete your funky fall look at PurpleLabNYC.com. Thanks again for such a great time!
Photo Source: Second City Style
-Alia Rajput
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Taneisha Jordan / September 16, 2010 9:00 pm
Summary: Nothing that Naeem Khan creates is anything short of dramatic and stunning. In one of the last shows of Mercedes Benz New York Fashion Week Spring 2011, Khan brought all of the glitz and glamour. Embroidered dresses with a slight tribal inspiration were the highlights of the brightly colored gowns.
Earning rounds of applause and excited whispers from many while his coveted dresses made their way down the runway, one could see that this could easily be a popular year for Khan. Be sure to keep an eye out for his dress on the red carpet.
Color Palette: yellow, black, white, coral, light blue, navy, beige, gold, nude, ivory, red, green, pewter, lavender, silver, taupe
Fabrics & Textures: crepe, satin, organza, chiffon, linen, charmeuse, tulle, jersey, embroidery, lace, sequin
Key Looks: Coral peasant top with gold embroidery; Light blue chiffon and white lace embroidered caftan; Nude tulle cowl neck gown with gold embroidery
- Taneisha Jordan
Photos: WWD
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Taneisha Jordan / September 16, 2010 5:00 pm
Summary: Sixties 'Mod' and current can fall into two different categories: costume or current. Thankfully, Joanna Mastroianni's Spring 2011 collection falls into the latter. Using bright and vibrant colors to create modern and architectural silhouettes with three-dimesional textures, Mastroianni takes the simplicity of those designs to translate into flirty chic.
The crowd at the top of Mastroianni's Manhattan atelier was excited for the presentation. As models posed inches away from the viewers, it was easy to see all the details that one might not be able to see on the runway.
Color Palette: sunshine yellow, tangerine, black, white, rose, cobalt, nude, charteuse
Fabrics & Textures: silk, wool, embroidery, chiffon, organza, satin, taffeta, beading, lace, patent leather, twill, jersey
Key Looks: Black double faced wool halter dress with embroidered black patent leather and chartreuse silk and a hand-embroidered 3/4 length cape with patent leather circles; Dramatic petal inspired organza capelet over a black matte jersey sheath with patent leather belt; Silk white sleeveless pantsuit with skinny black belt
- Taneisha Jordan
Photos: WWD
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Taneisha Jordan / September 16, 2010 4:00 pm
Summary: Six chosen designers had the opportunity to show there's more to Argentina than what meets the stereotypical eye. Many different looks from different walks of life prove just that no two designers are ever the same. These are just a few of the looks that were shown at Mercedes-Benz New York Fashion Week Spring/Summer 2011.
La Dolfina takes the polo element to a whole new level with leather and cotton separates. Created by Adolfo Cambiaso, one of the most popular international polo players, La Dofina is characterized by simple and basic clothing for everyday and weekend wear.
Laura Valenzuela characterizes her design to have a aristocratic and feminine feel. Though her interest is in recycling clothing, mixing textures and using antiques appliques defines her trademark.
Simplicity is the main goal of Evangelina Bomparola's collection. Classical structures that are timeless with the luxury of lush fabrics make these pieces "covet-worthy".
Refined urban collections which have been influenced by the artisan and native traditions of North Argentina are the main aesthetic of Marcelo Senra's collection. The combination of satin and gauze with the mix of raffia and leather bring the collection to full circle of easy yet sex appeal.
With just one look at designer Maria Pryor's fiery red hair, one can easily see that she has a flair for the dramatic. Her vivid fantasy is reflected in her combination of romanticism with a dash of fairy tale and mystery who could easily be named the "warrior princess".
Pablo Ramirez's style is known for elegance and austerity. In showing a line consisting of sculptural puff-sleeve blouses, structured apron dresses and linen pants paired with Amish-like silhouettes, drama can be seen coming a mile away.
- Taneisha Jordan
Photos: WWD
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